In the heart of New York, a fervent torchbearer of the blues, Buddy Guy, remains determined to keep the genre vibrant and relevant. Revered as one of America’s standout guitarists, Guy enjoys admiration from music legends like Eric Clapton, Jimmy Page, and Gary Clark Jr.
Among his admirers is the innovative filmmaker Ryan Coogler, whose movie “Sinners” featured Guy’s influence earlier this year. His new album, “Ain’t Done with the Blues,” features collaborations with artists such as Peter Frampton and Joe Walsh of the Eagles. The album is set to release on Wednesday, coinciding with Guy’s 89th birthday.
Winning eight Grammy Awards is not Guy’s primary focus; his mission is to ensure the blues’ legacy endures. “I promised B.B. King, Muddy Waters, and all of them,” he shares, “that I’ll do my best to keep the blues alive.”
Guy expresses his concern about the decline of blues on radio airwaves, fearing the genre may lose its appeal among younger audiences. This concern is evident in “Ain’t Done with the Blues,” a collection of classic tunes that deserve a fresh audience. The album closes with a rendition of J.B. Lenoir’s “Talk to Your Daughter,” highlighting timeless themes of joy and sorrow.
For Guy, the blues are weaving stories from everyday experiences. “It’s like a good gumbo,” he explains. “Music includes everything – a mix of chicken, sausage, and seafood. We pour everything into our music.”
This approach to music is striking a chord. According to a 2025 report from Luminate, a leading industry analytics company, there’s been a noteworthy increase in U.S. blues audio streaming, thanks to the success of “Sinners.”
Jaime Marconette, Luminate’s vice president of music insights, notes a “resurgence of the blues” spurred by the film. Artists featured on the soundtrack, many of whom draw from blues, folk, and country roots, saw listenership spikes upon the film’s release.
Guy senses this change too. “People recognize me in places like the grocery store, saying ‘I heard that ‘Sinners’ music.’” He remarks on how it’s rare for people to mention hearing the blues on the radio anymore.
This potential revitalization of the blues fueled Guy’s decision to become involved with the movie. “I hope this gives the blues a boost,” he reflects, concerned that younger generations may overlook it, much like a dish of gumbo they haven’t tasted.
Anticipating reactions to his forthcoming album, Guy remains focused, albeit detached from his own work. “I listen to everything but Buddy Guy,” he quips. “I already know Buddy Guy, and there’s nothing new for me to learn there.”