In the world of music, the enchanting harmony created by Holly Laessig and Jess Wolfe, known collectively as Lucius, has opened many doors for them. Sometimes, these opportunities have been literal doorways, such as the time when Brandi Carlile invited them to sing at a “Joni Jams” session at Joni Mitchell’s residence, only to have Paul McCartney answer the doorbell.
The chance to perform at Mitchell’s house was a thrilling experience. Prepared for a potential encounter with McCartney, Laessig and Wolfe rehearsed his song “Goodbye,” a notable hit for Mary Hopkin in 1969, eagerly anticipating the moment he would recognize his own creation. The moment he realized it was his song was truly special.
Throughout their careers, these vocalists have worked with a myriad of artists, including Sheryl Crow, Harry Styles, and Mumford & Sons, to name just a few. Yet, this year they have chosen to focus on Lucius, their rock band that also features Dan Molad and Peter Lalish, producing a new album they simply titled “Lucius.”
Reflecting on the new album, Wolfe shared, “It felt like a coming home to ourselves.” The decision to name the album after the band came naturally, as it symbolized a return to their roots and essence.
Their journey began two decades ago at the Berklee College of Music in Boston, where their bond was forged. It was during a project to recreate the Beatles’ White Album that their partnership began, even though it was their original music that eventually took precedence.
Drawing inspiration from the likes of Phil Spector and Elliot Smith, they envisioned performing double vocals live. Wolfe explained, “We both wanted to be lead singers, but together.” Their technique, termed “unison singing,” is a hallmark of their style.
A notable piece from their repertoire, “The Man I’ll Never Find,” showcases their captivating vocal synergy, particularly in its stripped-down, piano-accompanied version.
Many have mistaken Laessig and Wolfe for sisters, a misconception they have embraced by often donning identical outfits both on and off the stage. During an interview, they appeared in matching red outfits, complete with identical makeup, highlighting their unity in expression.
The uniformity is intentional, according to Wolfe, who likens it to dressing the sound they create. She grew up with a background in theater and finds joy in the transformation and unity that their matching appearance brings. “When you look at us, we wanted you to see one,” she said.
This unique presentation became a key part of their identity while they were making a name for themselves, traveling from festival to festival. Laessig recounted how their matching outfits piqued curiosity during their early tours and drew people to their performances.
Their ability to work collaboratively is a strength they’ve brought to projects with other musicians. Despite outside collaborations, maintaining their distinct artistic identity is crucial. Wolfe remarked on the importance of remaining true to themselves, even as they get lost in different musical worlds.
The latest album is partly a response to the previous dance-oriented work produced with Carlile and Dave Cobb. The new rock-centric collection feels more authentic to their real-life experiences at a pivotal time when both band members are nurturing new families.
With plans to tour this summer, Laessig and Wolfe are excited to share their music and new experiences with their families. Wolfe expressed the joy of combining travel with family life, saying, “We get to do it together and see the world together.” Despite logistical challenges, she appreciates the broadening experiences it provides for their children.