In an intriguing turn for those who know him as the renowned biographer behind the story that inspired the theatrical sensation “Hamilton,” as well as the detailed lives of historical figures like George Washington and Ulysses Grant, Ron Chernow reveals a new subject: Mark Twain. Chernow’s new work, spanning an impressive 1,200 pages, is set to hit bookstores next week. It’s his first publication since releasing the ‘Grant’ biography in 2017, and it marks his first foray into the life of a literary figure, diverging from his acclaimed examinations of business magnates (Rockefeller, Morgan) and political giants like Washington and Hamilton. Chernow’s distinguished career boasts accolades such as the Pulitzer Prize for “Washington: A Life,” the National Book Award for “The House of Morgan,” and the National Book Critics Circle Award for “Titan: The Life of John D. Rockefeller, Sr.”
The idea of writing about Twain has lingered in Chernow’s mind since the mid-1970s when a young historian witnessed Hal Holbrook’s mesmerizing performance as Twain in Philadelphia. Chernow recalls the image of Holbrook in his iconic white suit, mustache, and cigar, delivering a stream of amusing lines, such as Twain’s iconic jab at Congress. The historian was captivated by Twain as a precursor to contemporary celebrity culture, attracted not so much to Twain the novelist, but to Twain the witty commentator and public figure.
Chernow confesses to preferring tangible historical facts over the nebulous realm of imagination, yet he discovered a personal connection to Twain’s life. Both have experienced the loss of a spouse (Twain lost his wife Olivia within six years of her death; Chernow’s wife Valerie Stearn passed away in 2006), and both shared the privilege of engaging in public speaking and pursuing writing as a full-time career. Chernow’s exploration of Twain’s life delves into areas he’s well-versed in, particularly politics and finance, unearthing Twain’s financial struggles arising from unsuccessful business ventures, despite his literary earnings and his wife’s inheritance.
Chernow also addresses the unusual friendships Twain formed in his later years with young girls, whom he endearingly referred to as his “angelfish.” “Back then, Twain’s actions were seen as a charming quirk of a beloved comedian with a fondness for children. Today, we perceive such behavior as peculiar,” Chernow explains. “It’s vital to balance both perspectives.” He also emphasizes that Twain maintained chaste relations, and no accusations of improper conduct surfaced from the girls or their families. However, Chernow notes Twain’s seemingly obsessive interest in these friendships, spending more time with them than his daughters.
During a recent conversation at his New York apartment, where Twain sketches adorned his coasters, Chernow reflected on Twain’s familial experiences, political ideology, and underlying sorrow. The historian’s commentary was edited for coherence and conciseness.
Political critiques
Chernow commented on Twain’s critical views of political leaders, yet refrained from speculating on what Twain might have said about modern figures like Donald Trump. He noted Twain’s disdain for President Theodore Roosevelt, perceiving him as ego-driven with a flamboyant demeanor. Twain once described Roosevelt as the “Tom Sawyer of the political realm” of his time, constantly seeking the spotlight. Twain further remarked on Roosevelt’s vision of the great republic as a vast carnival, where he played the leading clown.
The burden on Twain’s offspring
Chernow touches on the often tragic tale of famous people’s children, including Twain’s own. Twain’s middle daughter, Clara, felt especially overshadowed by her father, wanting to leverage his celebrity status while simultaneously resenting his acclaim. She expressed feeling reduced to being merely “Mark Twain’s daughter” when sharing the same space with him, illustrating the heavy presence her father cast.
His marriage to Olivia Langdon
The historian dissects Twain’s marriage to Olivia. Despite some perceiving Twain’s marriage ambitions as financially motivated, Chernow insists it was a love match. Twain, who cherished his wife’s daily affirmations of love, found companionship and emotional support in her. However, Chernow also reflects on Twain’s ambition, acknowledging his lifelong contradiction of critiquing the wealthy elite while striving to join their ranks.
Humor masking underlying sadness
Chernow reflects on Twain’s self-confessed self-hatred and likens him to the stereotype of the humorist hiding inner turmoil. Twain himself drew parallels with Lord Byron, acknowledging a self-destructive streak that caused him to hurt others. Chernow suggests Twain’s humor provided an outlet for his sadness and allowed him to navigate his emotional struggles.