Liu Jiakun wins Pritzker for community-focused architecture

Renowned Chinese architect Liu Jiakun has been honored with the esteemed Pritzker Architecture Prize, recognizing his work that embraces architecture which celebrates everyday life, according to an announcement by the award organizers on Tuesday.

Based in Chengdu, located in China’s southwestern Sichuan region, Liu aims to harmonize the demands of commercial construction with the humanistic needs of community living. His architectural focus has been described as creating “a beautiful, just, and dignified living environment.”

The Pritzker Prize organizers highlight Liu’s capability to merge cultural, historical, emotional, and social elements in his architectural endeavors. They praised him for using architecture as a means to forge community bonds, inspire empathy, and elevate the human experience.

Liu has gained recognition for developing public spaces in high-density urban areas which often lack open environments, establishing a balance between dense occupancy and available public spaces. An illustrative example is the West Village in Chengdu—a significant 2015 project featuring cycles and pedestrian pathways along its perimeter. The complex integrates cultural, athletic, recreational, office, and business facilities within its layout, all while providing access to surrounding natural vistas.

Another notable work cited is the Sichuan Fine Arts Institute Department of Sculpture in Chongqing. This project demonstrates an innovative approach to space maximization, with upper levels extending outward, thus increasing the structure’s usable area despite its narrow foundation.

In a recent interview at his Chengdu office, Liu noted his divergence from having a distinct visual signature in his projects. Instead, he prioritizes method and strategy over personal style. “Many architects distinguish their work by a unique style, but that’s not me,” Liu explained. “I prefer to adapt my methodology to suit specific locations, taking into account local resources and challenges, and then refining these into my architectural solutions.”

Liu also expressed a desire to balance China’s rich architectural heritage with modern technological advancements. Although he recognizes the timelessness of traditional Chinese architecture, he acknowledges that such styles were products of their era. “My aim is to derive enduring principles from tradition and express them through a contemporary lens,” Liu remarked, illustrating his intent to keep tradition as the essence but present his work in a modern format.

Acknowledging the rapid urbanization driven largely by economic forces, Liu stressed the importance of reserving spaces for public use. “While development is profit-driven, it is essential that urban growth prioritizes open spaces for public interaction, ensuring that cities develop healthily rather than becoming high-density environments devoid of community spaces,” he asserted.

Liu’s recognition as the 54th laureate of the Pritzker Architecture Prize—established in 1979 by Jay A. Pritzker and his wife, Cindy—comes with a $100,000 grant and a bronze medallion. Considered the equivalent of a Nobel in architecture, the prize prompts reflections on its potential impact. Liu conveyed his intent to remain grounded, expressing a desire to maintain normalcy and focus rather than letting the recognition alter his approach to work.

He pondered the potential pressures the accolade might impose, wondering whether it might lead to excessive busyness or expectations that could impinge on his ability to concentrate on his projects. In conclusion, Liu hopes to retain his calm and freedom, continuing to approach his work with undisturbed diligence.