NEW YORK — Step back in time to witness the exhilarating origins of rock ‘n’ roll through the perspective of a true icon: Brenda Lee. The renowned vocalist, famous for her classics like “I’m Sorry” and “Rockin’ Around the Christmas Tree,” offers an insightful look into those vibrant years in the documentary “American Masters — Brenda Lee: Rockin’ Around,” debuting Monday on PBS.
Reflecting on her experiences, Lee shared, “That era can never be repeated again. That was a time when the focus wasn’t on money or fame. It might sound odd, but it’s a fact. The artists back then were passionate about their craft, enjoying their music whether or not they were compensated.”
At 80, Lee enjoys a legacy that began when she recorded her first hit at the age of 15 in 1960, leading her to sell over 100 million records. In the 1960s, she achieved a remarkable milestone by securing 46 singles on the U.S. Hot 100, ranking her just behind legendary artists like The Beatles, Elvis Presley, and Ray Charles. Lee was honored with a Grammy Lifetime Achievement Award in 2009 for her contributions to music.
Unique in her accomplishments, she has been inducted into both the Country Music Hall of Fame and the Rock & Roll Hall of Fame, seamlessly transitioning through various genres, including country, pop, rock, and rockabilly throughout her career. “I never defined myself as just a ballad singer, or a rock singer, or a country singer,” she explained. “I simply wanted to sing. Some artists can cover all styles; for me, it’s essential to connect with the music I’m delivering or it comes off as inauthentic.”
The documentary enriches its narrative with insights from music historians and prominent artists, including Keith Urban, Tanya Tucker, Trisha Yearwood, Jackie DeShannon, Pat Benatar, and Neil Giraldo. Director Barbara Hall expressed enthusiasm about how easily others spoke about Lee’s significance, stating, “I found it effortless to gather voices discussing Brenda and emphasizing her importance. It shows what can happen when someone dedicates themselves to their passion without wavering.”
Raised in Atlanta, Lee faced challenges early in life; her father, a carpenter, tragically died in a construction accident when she was eight. Subsequently, her mother worked in a cotton mill to support the family. At just ten years old, Lee was given a platform by country artist Red Foley on the television show “Ozark Jubilee.” By age twelve, she was showcasing her talent on several national TV variety shows.
The documentary presents an atypical narrative in the music industry: the journey of a young woman who received protection and nurturing among her peers. Lee gives credit to producer Owen Bradley, her manager Dub Allbritten, and the musicians she collaborated with, who treated her like a little sister. “I hear so many unsettling tales about children in the entertainment world, but thankfully, my experience was quite the opposite, and for that, I’m deeply thankful,” Lee reflected. “I felt like part of a family, and that meant everything.”
During the holiday season, Lee’s classic “Rockin’ Around the Christmas Tree” resonates with many, as it garners significant airtime. Remarkably, in 2023, it rose to the top of the Billboard Hot 100 chart for the very first time, celebrating 65 years since its initial release. “She is a holiday tradition in countless American homes,” said Hall. “I hope people reconnect with her story and her music as it gains renewed attention.”
Lee recorded the unforgettable hit at the tender age of 13, during the sweltering summer month of July 1958. To create a festive atmosphere in the recording studio, the air conditioning was set to high, and a Christmas tree was erected for inspiration. Initially gaining more traction overseas, the song later saw a resurgence after appearing in the 1990 classic film “Home Alone.”
Hall, who previously directed a “American Masters” episode about Patsy Cline, attempted to uncover any hidden drama in Lee’s life but found none. Even during a challenging period when Lee broke her leg and faced hospitalization, she maintained her cheerful and gracious demeanor. Hall remarked, “If it had been me with a broken leg, I’d likely be in a foul mood, but she was full of humor, making those around her feel like friends.”