NEW YORK — As a young boy in New York’s Little Italy, Martin Scorsese often found himself captivated by the figures depicted around St. Patrick’s Old Cathedral.
The images of saints sparked his curiosity. “Who are these people? What is a saint?” Scorsese reminisces. “Once I stepped outside the cathedral, the saints weren’t visible. Instead, I observed individuals striving to live justly amidst a world heavily influenced by organized crime. As a child, I questioned the humanity of these saints: Are they really human?”
After years of contemplation, Scorsese has finally brought his vision to fruition with “Martin Scorsese Presents: The Saints.” This eight-episode docudrama series launches on Sunday via Fox Nation, which is part of Fox News Media.
Each one-hour episode, crafted by writer Kent Jones and directed by Elizabeth Chomko, focuses on a different saint, including icons like Joan of Arc, Francis of Assisi, John the Baptist, Thomas Becket, Mary Magdalene, Moses the Black, Sebastian, and Maximillian Kolbe. The series kicks off with Joan of Arc this Sunday, followed by three more episodes in the following weeks, while the last four episodes will premiere in proximity to Easter next year.
“The Saints” employs realistic reenactments complemented by concise discussions led by Scorsese with various experts. It highlights the deeply human aspects of these saints, presenting them as flawed and imperfect individuals. Scorsese indicates that these very imperfections enhance their tremendous acts of sacrifice and compassion. For instance, Maximillian Kolbe, who previously propagated antisemitism during WWII, ultimately took it upon himself to die in place of another man condemned to Auschwitz.
In a recent interview, Scorsese shared some thoughtful reflections as he approaches his 82nd birthday this Sunday.
Regarding the saints, he expressed, “It took time to reflect on this and realize that their human qualities are essential. Their capabilities inspire us. In challenging environments—whether in business, Hollywood, or politics—being rooted in genuine compassion is commendable and should be emulated.”
On the collaboration with Fox Nation, he noted, “They were receptive to the scripts, filming, and edits. But I sometimes ponder: should we only share our views with those who mirror our beliefs? That wouldn’t be beneficial. My aim is to advocate for an open mind.”
When it comes to his faith intertwined with filmmaking, Scorsese remarked, “The act of filmmaking is a divine gift. It involves a drive to narrate stories and a grace that fuels my fixation on this craft. Each film has been a struggle; it’s a continuous battle, with moments of failure and resilience. Somehow, I always manage to rise again.”
Looking ahead at his next cinematic project, Scorsese shared, “I’m still contemplating ‘The Life of Jesus.’ There’s a significant chance I’ll adapt Marilynne Robinson’s ‘Home,’ though scheduling remains a challenge. Additionally, I might revisit narratives from my parents’ past, focusing on immigrant experiences. After completing ‘Killers of the Flower Moon,’ I feel a sense of urgency to create more films while I still can; at 82, time is of the essence.”
On recent cinematic experiences, he commented, “I recently watched a film titled ‘I Saw the TV Glow,’ and it struck me profoundly. It was emotionally compelling and maintained its impact throughout. I was unaware of the director, Jane Schoenbrun.”
Reflecting on the current political climate, Scorsese stated, “I firmly believe there’s a profound sadness in our situation, yet it also presents an opportunity for change. It’s crucial to avoid despair while understanding the needs of others. We must engage in deep introspection. Although I’m not a politician, I see the value in dialogue and compassion. That’s the essence of it all.”