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Legendary Mexican cinema dancer Tongolele passes away at 93

MEXICO CITY — The beloved American dancer Tongolele, who made a significant impact on the nightlife of Mexico City during the mid-20th century with her captivating hip movements and rhythm, has passed away at the age of 93.
The news of her death was reported by Mexico’s Secretary of Culture on social media platform X.
“Her remarkable stage presence and distinctive style set a standard for entertainment in Mexico. May she rest in peace,” the statement expressed.
Multiple news outlets noted that she had died on Sunday night.

With striking beauty that included a distinctive tuft of white hair and eyes that shifted in color from blue to green to violet, Tongolele had a commanding presence.
Initially met with criticism for her daring style, she ultimately won over audiences and formed friendships with numerous public figures, including past Mexican presidents and renowned artists and writers of her era.

Reflecting on her journey, she stated in a 2014 interview, “I never thought, ‘I want to be famous.’ I just wanted to dance.”
In her humble recollections, she mentioned, “I didn’t even understand that I was a star of the show or that I had achieved success; I was simply joyful dancing.”

Yolanda Ivonne Montes Farrington, born on January 3, 1932, in Spokane, Washington, embarked on her dance career at the age of 15.
Shortly after, she began performing in various theaters throughout Mexico, from Tijuana to Mérida.
A female manager from that period urged her to adopt a stage name, which she derived from African and Tahitian influences, ultimately choosing Tongolele.

As her career flourished, she became a prominent figure in Mexico City’s top theaters, also landing roles in several films including “Mátenme porque me muero,” “Amor de locura,” and “Han matado a Tongolele,” which was named after her.
In recognition of her lengthy and influential career, she received the Agustín Lara award in 2012, celebrating her artistic achievements and over 65 years of performance.

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