Anthony Roth Costanzo provides a unique perspective on Mozart’s classic opera, “Le Nozze di Figaro (The Marriage of Figaro),” by taking on the challenging task of singing seven different roles in a lively production at New York’s Little Island. In a daring move, the countertenor performs the Countess’ “Dove sono” aria with a laryngoscope down his throat, displaying a video of his vocal cords on screens for the audience to see.
Costanzo, a Grammy Award-winning countertenor known for his extensive vocal range, showcases his talent by embodying characters like Cherubino, Figaro, Susanna, the Count, Countess, Antonio, and Barbarina, pushing his voice to its limits across 3 1/2 octaves in a captivating 95-minute adaptation of the opera that premiered in 1786.
The production, directed by Dustin Willis, aims to engage both opera enthusiasts and newcomers alike, challenging traditional boundaries to offer a fresh and entertaining experience. Winokur, Little Island’s producing artistic director, emphasizes the uniqueness and humor in this reinvention of “The Marriage of Figaro,” highlighting the physical and technical precision required to pull off such a performance.
Supported by a small orchestra, Costanzo is joined by a talented cast of actors who help bring the opera to life on stage. Through innovative staging and creative reinterpretation of Mozart’s work, Costanzo and his fellow performers deliver a dynamic and engaging performance that captivates the audience from start to finish.
With a nod to Mozart’s innovative spirit, Costanzo’s bold interpretation of the opera honors the composer’s willingness to push boundaries and experiment with new ideas. By staying true to the essence of the music while adding his own flair, Costanzo’s production of “Le Nozze di Figaro” presents a fresh and exciting take on a beloved classic that is sure to resonate with audiences old and new.
