Colombian American singer Kali Uchis explores new heights of sonic richness on her fourth studio album, the predominantly Spanish-language “Orquídeas” (“Orchids” in English).
Uchis has always been celebrated for her fluidity—be it in culture, genre, or language. Her sultry compositions about love, loss, and divination seamlessly transition between Spanish and English. “Orquídeas” continues this spirit, presenting self-empowered songs that traverse a spectrum of heritages, unified through Uchis’ distinctive filter.
The lead single, “Muñekita” (“Little Doll”), is a restrained reggaeton piece, featuring Uchis’ brisk, syrupy voice. The track, enhanced by contributions from Dominican rapper El Alfa (the King of Dembow) and City Girls’ JT, creates a dynamic akin to a strobe light cutting through the haze of a crowded club.
The second single, “Te Mata” (“It Kills You”), is a sultry bolero where Uchis’ raspy vocals reach moments of profound, mournful elation. The track focuses on reclaiming autonomy after an unhealthy relationship. Uchis skillfully modernizes classic sounds, delivering a ballad that feels fiercely contemporary yet timeless.
These singles showcase Uchis’ versatility and smooth approach to different genres, a quality honed over years of shaping her unique style within alt-R&B. The surprises don’t end there—tracks like “Igual Que Un Ángel” (“Just Like An Angel”) featuring corridos tumbados star Peso Pluma embrace synth-pop, while “Labios Mordidos” (“Bitten Lips”) featuring Colombian superstar Karol G is an exploration of sapphic pleasure. “Dame Beso // Muévete” (“Give Me A Kiss // Move It”) takes on vintage merengue.
In a press release for “Orquídeas,” Uchis expressed finding inspiration in the timeless, eerie, mystic, striking, graceful, and sensual allure of the orchid—a fascination since childhood. She aims to redefine perceptions of Latinas in music, offering a multi-dimensional framework through “Orquídeas.”
The album presents a canvas for Uchis to explore her various identities, experimenting with a diverse range of sounds while centering her femininity in introspective tunes and lively anthems alike
