Spielberg Calls the Shots for ‘Jurassic World’ Reboot

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    In the world of filmmaking, few writers have managed to carve out a niche as distinctive and effective as David Koepp. His journey as a screenwriter began with crafting the script for the iconic 1993 film “Jurassic Park,” directed by Steven Spielberg. The script opens with an evocative description: an expressive, inhuman eye peeks through the gaps of a wooden crate, setting a suspenseful tone. This concise yet vivid writing style is characteristic of Koepp’s work, walking a fine line between detail and restraint. As Koepp recalls, Spielberg once told him that the limitations were only bound by his imagination, even in the early 1990s before CGI had become prevalent.

    Over the years, Koepp has made a name for himself by mastering the art of the “bottle” movie—stories confined to a specific setting or limited timeframe. His knack for strategic storytelling is evident in films such as David Fincher’s “Panic Room” and Steven Soderbergh’s “Presence.” By focusing on key details and tightly woven narratives, Koepp manages to keep audiences engaged and anticipatory.

    With “Jurassic World: Dominion” in 2022 having expanded its universe significantly, Koepp felt it was time to bring the dinosaurs back to their roots. Returning to the franchise he had left after “The Lost World” (1997), Koepp faced a challenge. Spielberg approached him with the idea, prompting Koepp to seek a fresh approach, sparking the concept for “Jurassic World Rebirth.” Scheduled for release on July 2, this film introduces a new set of characters played by stars like Scarlett Johansson and Mahershala Ali, under the direction of Gareth Edwards. Yet, it also returns to the essence of the original: dinosaurs on an island.

    Koepp embraces one of his cinematic philosophies—embracing constraints as a creative catalyst. He likens it to classic studio systems, where directors had to make do with what was available. This is reflected in his broader work, from the focused drama of Ron Howard’s “The Paper,” set over a single day, to the confined psychological thriller “Secret Window.” His collaboration with both Spielberg and Soderbergh showcases his versatility, able to adapt his writing to different genres and scales.

    Working with directors like Soderbergh, Koepp’s recent projects including “Presence” and “Black Bag” demonstrate his enduring ability to create tightly scripted films. Whether confined to the inner dimensions of a home or a tense dinner party setting, Koepp’s screenplays are a testament to his belief that limitations unlock creativity.

    His relationship with Spielberg continues to blossom, having just completed work on an untitled Spielberg sci-fi film with a screenplay crafted from a 50-page treatment provided by the director. Koepp notes Spielberg’s intense focus and commitment to the project, reflecting their deep mutual respect and understanding.

    For “Jurassic World Rebirth,” Koepp implemented a set of guiding principles for the franchise, reminiscent of the clear guidelines Chuck Jones employed for the Road Runner cartoons. He believes these principles, which include maintaining humor and portraying dinosaurs as animals rather than monsters, help maintain the franchise’s integrity.

    Directing “Jurassic World Rebirth” brought its own challenges, especially when working with a screenwriter as committed as Koepp. Director Gareth Edwards quickly discovered Koepp’s ability to instantly provide fitting dialogue, equating his talent to a personalized writing assistant.

    Despite the pressure of blockbuster season and the studio collaborations which often dilute a screenwriter’s input, Koepp managed to maintain personal ownership of “Jurassic World Rebirth.” Rejecting the notion that more voices equate to better results, he values the power of a focused writing perspective.

    Reflecting on his career, Koepp admits no script can be truly flawless, looking up to classics like “Jaws” as aspirational models. Even critiques from unexpected places, like advice from a fifth-grade class, serve as reminders that everyone has an opinion. Yet, through it all, Koepp’s dedication to his craft remains unparalleled, as he continues to conjure narratives that captivate and endure.