Ben Wang, stepping into the world of “Karate Kid: Legends,” didn’t immediately realize he would be the first Asian American “Kid” in the iconic franchise. For Wang, this role symbolizes a wave of optimism. “Initially, I didn’t even consider it,” Wang expressed. “It feels like a remarkable and indeed privileged position to hold.” His casting takes place in a society where this is increasingly normal.
“Karate Kid: Legends,” set to debut this Friday, brings together the original hero Ralph Macchio’s Daniel and Jackie Chan’s Mr. Han from the 2010 film. Together, they present guidance to Wang’s character, Li Fong, as he pursues victory in a karate contest in New York City. Looking back at the original “Karate Kid” film, which premiered over 40 years ago, the only significant Asian American on the main cast, aside from Pat Morita, played out in California’s San Fernando Valley. Morita’s adored character, Mr. Miyagi, aided the underdog Daniel against the aggression of white karate antagonists. This storyline has been mirrored and reimagined in numerous sequels and spin-offs ever since. However, the continued scarcity of Asian and Asian American representation has been a persistent matter of discussion.
Jeff Yang, author of “The Golden Screen: The Movies That Made Asian America,” mentions that while many Asian Americans celebrate the Miyagi-verse, the absence of young Asian American protagonists in recent adaptations like Netflix’s “Cobra Kai” felt like a missed opportunity. “It’s always been the narrative of the legendary martial artist transferring his knowledge beyond his own community,” Yang stated. “As an Asian American, this gives it a complex pleasure.”
In Hollywood, despite the rich history of martial artists such as Bruce Lee, Jackie Chan, and Jet Li, Asian characters practicing martial arts were often underdeveloped. Many actors proficient both in drama and martial arts were non-Asian. “In some respects, this is reasonable,” Yang conceded. “Martial arts were brought to the U.S. by soldiers stationed in Asia who embraced the discipline.” During the late 1970s and ’80s, as karate dojos gained popularity across America, “The Karate Kid” tapped into a burgeoning cultural phenomenon.
Ken Nagayama, a grand master in martial arts who instructed at a dojo featured in the original movie, recalls his encounters with Pat Morita. Casting considerations aside, he was struck by the burgeoning interest in karate following the film’s release. “When the movie debuted, there was a surge of interest, particularly among younger students,” explained Nagayama, who plans to enjoy “Legends” with his students. The diversity among new students mirrored broader societal changes.
Steven Ho, a Los Angeles-based stunt coordinator and martial artist known for his performances on Conan O’Brien’s shows, fondly reminisces about Morita, Macchio, and William Zabka’s presence at tournaments in preparation for the first film. A fan of Morita’s, Ho never dwelt upon the absence of other Asian actors. “To me, Pat Morita was the star,” Ho said. “Moreover, during the ’80s and ’90s, we experienced the golden age of Jet Li and Jackie Chan films, spotlighting authentic martial artists.”
Ho is gleeful that “Karate Kid: Legends” coincides with a time when his 12-year-old twins are spared from enduring negative Asian stereotypes. His past apprehensions toward appearing on the O’Brien show, fearing it would reinforce stereotypes, were quickly dispelled as the sketches portrayed Ho as the calm counterbalance to O’Brien’s antics.
Jonny and Ollie, the “Twinjas,” are budding karate practitioners themselves and enthusiasts of martial arts culture. They’ve been exposed to the original “Karate Kid” films and hold Mr. Miyagi in high regard. “Being a teacher surpasses being just a student,” shared Ollie, reflecting on Miyagi’s mentorship role.
Jonny highlights the significance of Asian leads, exemplified by Simu Liu in Marvel’s “Shang-Chi.” “It’s meaningful to see Asian representation in prominent roles,” adds Jonny, recognizing a growing pattern in media.
The Twinjas are enthusiastic about seizing new opportunities to showcase their martial arts and acting flair. Meanwhile, Wang perceives his role in “Legends” as a chance for Asian American kids to find a hero reflective of their identity. “Calling it a privilege resonates with me,” says Wang, acknowledging the inclusivity of the series’ message that anyone can be the “Karate Kid.”