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NEW YORK — As the year comes to a close, many critics rush to assemble their lists of the best music, leading to the unfortunate reality that some remarkable art can go unnoticed. The constraints of a top 10 list can limit the space for unique discoveries, often causing groundbreaking albums to be overshadowed by more commercial titles. To address this gap, a selection of standout underappreciated albums of the year has been compiled for listeners to explore.

**“Still,” by Erika de Casier**
In an ideal world, Erika de Casier, a Danish singer originally from Portugal, would be a pop sensation. Her retro-futuristic R&B sound is heavily inspired by Y2K icons like Aaliyah, Jennifer Lopez, and Janet Jackson. However, her music transcends mere nostalgia, blending the influence of ’90s U.K. garage production, seen in tracks like “Ex-Girlfriend” featuring Shygirl, and innovative collaborations such as “ice” with the Florida rap duo They Hate Change. Her unique storytelling through breathy vocals offers listeners a fresh yet familiar experience.

**“Psykos,” by Yung Lean and Bladee**
Yung Lean, known for his emo rap style, teamed up with Bladee from the Drain Gang collective for a surprise release titled “Psykos.” This album merges rock and hip-hop while capturing a sense of melancholic detachment that resonates with today’s youth. The eclectic sound may require patience initially, but it ultimately reveals itself as a surreal interpretation of modern feelings and experiences.

**“Dunya,” by Mustafa**
Mustafa, a Sudanese Canadian artist, shares an album that feels rooted in ancient folklore, embodying the essence of poetry in his work. Titled “Dunya,” meaning “the world” in Arabic, it aims to “preserve and celebrate ordinary life in the hood,” showcasing moments of love and loss intertwined with his life in Toronto. Songs like “Leaving Toronto” serve as heartfelt tributes to both his hometown and his late brother, adding a layer of emotional depth to the project.

**“Night Reign,” by Arooj Aftab**
Arooj Aftab, a talented artist blending astral folk and jazz influences, continues to gain recognition, even as she remains largely underappreciated. A Grammy winner and nominee, her latest album “Night Reign” demonstrates her ability to converge diverse musical cultures and genres into a stunning auditory experience. The artist’s recent appearance on “The Late Show with Stephen Colbert” underscores her distinct talent, positioning her as an inspiration for other musicians.

**“Eels,” by Being Dead**
Austin’s experimental rock band, Being Dead, defies the claim that rock music is dead with their sophomore album “Eels.” This eclectic collection features a mix of peculiar musical influences, including egg punk and psychedelic elements. With Grammy-winning producer John Congleton at the helm, the album showcases the band’s creativity and attracts those fond of college radio vibes, proving their merit in the contemporary music scene.

**“Across the Tracks,” by Boldy James & Conductor Williams**
Boldy James, known for his collaborations with a single producer for each new album, has partnered with Conductor Williams for the captivating “Across the Tracks.” This lush, loop-driven record envelops listeners in a soulful atmosphere, with the introductory track, “Terms and Conditions,” setting the stage for thoughtful lyrics delivered in Boldy’s signature style. Each line offers a glimpse into the artist’s unique perspective on life and artistry.

**“Sentir Que No Sabes,” by Mabe Fratti**
Mabe Fratti, a cellist born in Guatemala and based in Mexico City, pushes the boundaries of genre with her album “Sentir Que No Sabes” or “Feel Like You Don’t Know.” This collection of music influences jazz, post-punk, and electro-folk, defying classification. These innovative compositions create engaging soundscapes that invite listeners to lose themselves in the music’s complexities while highlighting the beauty of creative uncertainty.

**“Absolute Elsewhere,” by Blood Incantation**
In the realm of metal, it’s common for exceptional albums to go unrecognized by mainstream critics. Blood Incantation’s fourth studio release, “Absolute Elsewhere,” is one such album that captivates listeners with its bold composition. Encompassing elements of progressive rock and dense metal, the band delivers an enthralling experience characterized by intricate arrangements and powerful vocals, proving their place in the pantheon of modern metal.

**“Great Doubt,” by Astrid Sonne**
Denmark has become a breeding ground for innovative singer-songwriters, and Astrid Sonne stands out with her album “Great Doubt.” This unique fusion of classical influences and experimental pop creates a hauntingly beautiful sound. Sonne’s artistic vision beckons listeners to ponder what it would sound like if classical training merged seamlessly with avant-garde aesthetics, resulting in an enchanting auditory experience that resonates deeply.

**“Diamond Jubilee,” by Cindy Lee**
Cindy Lee, an artist shrouded in what some call “anti-hype,” has made waves with her album “Diamond Jubilee.” Originating as a low-key YouTube release, this lo-fi masterpiece captivated curious fans, enthralled by its two-hour and thirty-two-minute span. The album showcases Lee’s fearless experimental approach to psych and garage rock, drawing listeners into its expansive soundscapes and inviting them back for repeated listens, further cementing her place in the indie music landscape.
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