The endless cycle of Hollywood’s awards season often means that many films and performances are distilled down to standard “best” categories like Actor, Actress, Director, and Picture. This sometimes results in exceptional contributions being overlooked or forgotten. However, what frequently endears us to movies are the small details — the memorable lines, the iconic props, the unique character traits, and the catchy songs we add to our playlists.
In this context, with the Oscars rapidly approaching, a couple of film writers have decided to dish out their own distinctive awards, highlighting some of the more unusual yet enjoyable elements of films from the past year.
First up is the award for the “Most Trusty Steed,” which goes to Aaron Pierre’s bike in “Rebel Ridge.” This thriller, directed by Jeremy Saulnier, resembles a modern-day Western where the protagonist, unlike his horse-riding predecessors, traverses the landscape on a bicycle, exuding undeniable movie-star cool.
Chris Hemsworth’s portrayal in “Furiosa” wins “Best Stuffy” for his character’s quirky attachment to a childhood teddy bear. Despite playing a fearsome warlord, Hemsworth’s character clings to this sentimental relic, adding layers to his role.
The “Best Tearjerker” award is given to “My Old Ass,” a film directed by Megan Park that masquerades as a comedic concept but ultimately offers a profound reflection on time and family, delivering an emotional punch that catches the audience off guard.
Moving on to action, June Squibb earns the title of “Best Action Hero” for her daring performance in “Thelma,” complete with a mobility scooter chase that defies expectations.
In a somewhat average film, “Ghostbusters: Frozen Empire,” Kumail Nanjiani stands out with his humor, earning him an accolade for the “Best Part of a So-So Movie.” His presence brings life to the film, despite its flaws.
A tie in the “Best Song” category features two memorable tracks: Kristen Wiig’s “Harper and Will Go West” and Nicholas Britell’s “Brighter Days.” Both songs have secured a place on many playlists, despite not being recognized in mainstream award nominations.
“The Fall Guy” receives the award for “Best Use of Taylor Swift” for its memorable scene where Ryan Gosling showcases his emotional range through a heartfelt rendition of “All Too Well.”
Adam Pearson steals the show in “A Different Man,” earning the “Best Scene-Stealer” award for his authentic performance that elevates the film to new heights.
The quirky “Best Prop” award goes to the glass of milk in “Babygirl,” serving as a seemingly small but significant feature in the movie.
“Most Beavers” is awarded to the low-budget film “Hundreds of Beavers,” which uses creative methods to fill the screen with images of these creatures, despite a limited wardrobe of beaver costumes.
In “Megalopolis,” Aubrey Plaza’s performance is recognized with the “Most Understood Assignment” award for her spot-on portrayal amidst the film’s chaotic narrative.
Kristen Stewart gets the nod for “Best Mullet” in “Love Lies Bleeding,” with her hairstyle contributing significantly to her character’s compelling performance.
“His Three Daughters” wins “Best Ensemble” for the combined efforts of Carrie Coon, Natasha Lyonne, and Elizabeth Olsen, who bring depth to a family drama that tugs at the heart.
Lastly, the “Most Memorable Moviegoing Experience” is attributed to viewing “Sing Sing” at the actual correctional facility it shares its name with. The event was marked by a profound connection between the cast and the audience, reinforcing the transformative power of art beyond mere accolades.
