The illustrious Pritzker Architecture Prize has been conferred upon Chinese architect Liu Jiakun, recognizing his extraordinary efforts in crafting architecture that elevates the everyday experiences of ordinary people, as celebrated by the award’s organizing committee on Tuesday.
Liu Jiakun, aged 68, joins a distinguished list as the 54th recipient of this prestigious award, often likened to the Nobel Prize within the sphere of architecture. During an interview conducted in Mandarin at his Chengdu office, located in China’s Sichuan province, Liu articulated his vision for architecture: “In simple terms, the mission of architects is to enhance living conditions for humanity. To be simply functional is not enough; true architecture must encompass poetry.”
Liu’s contributions are particularly noted for the creation of public zones in busy urban landscapes, fostering a harmonious interaction between densely populated areas and open spaces, according to a statement released by the Pritzker committee.
He is praised for merging architectural designs with cultural, historical, emotional, and social dimensions, thus fostering community, inspiring empathy, and uplifting the human spirit. His portfolio, exceeding 30 projects, spans educational, commercial, and civic structures. Highlighted among these is his 2015 creation, the West Village in Chengdu—an expansive construction covering an entire city block. This five-story marvel features a network of pathways for pedestrians and cyclists and integrates diverse cultural, recreational, and commercial activities while maintaining a visible link with both natural and urban backdrops.
Another of his acclaimed projects, the Sichuan Fine Arts Institute’s Department of Sculpture in Chongqing, presents a novel approach to space optimization by having its upper levels extend outward to maximize the area on a limited plot.
Born in Chengdu in 1956, Liu’s early life included laboring on a farm during the Cultural Revolution at the age of 17. He recounts those years as feeling insignificant until gaining admission into architecture school in Chongqing, where he realized the significance of his life.
Reflecting on China’s rapid transformations during his youth, Liu described experiencing significant upheavals, likening it to living through numerous lifetimes. In 1999, he established Jiakun Architects, a firm characterizing his approach to architecture not through a distinct visual style but through methodology and strategy.
“Many architects create a strong personal brand that immediately marks their work, but I aim for a methodical and strategic approach,” Liu explained. He strives for an adaptable practice that considers local environments, understanding the essence of a place, its resources, and challenges, which he then refines into his architectural designs.
Balancing China’s rich architectural heritage with modern advancements is also pivotal to Liu’s philosophy. He remarked on the brilliance of traditional Chinese architecture as historically bound, yet seeks ways to integrate enduring themes with contemporary practices and technologies, embedding tradition at the core of modern architectural expression.
Liu emphasizes protecting public space in the face of urban development largely driven by capital interests. Acknowledging the pursuit of profit, he insists on reserving areas for the public, fostering vibrant cities rather than oppressive, high-density zones devoid of communal spaces.
Founded in 1979 by the late Jay A. Pritzker and his wife, Cindy, the Pritzker Prize honors architects with a $100,000 grant and a bronze medallion. Contemplating the impact of the award on his career, Liu hopes to maintain normalcy amid new recognition, avoiding the pressure that could come from heightened expectations. Still, he acknowledges it might simplify self-promotion efforts while pondering if it could hinder his ability to work attentively due to increasing demands.
Ultimately, Liu aspires to preserve his sense of balance, freedom, and tranquility as he continues his practice.
